@article{oai:kgwu.repo.nii.ac.jp:00000424,
 author = {ボーシャ, フランシス J. and Bosha, Francis J.},
 issue = {1},
 journal = {川村学園女子大学研究紀要, The journal of Kawamura Gakuen Woman's University},
 month = {},
 note = {As modern Japanese women writers, Ariyoshi Sawako and Mukoda Kuniko reveal at least as much about themselves as they do about society, as Kawabata Yasunari suggested was generally the case with women writers in Japan. Kawabata's view seems valid for writers outside Japan as well. As a postmodern writer in China who emerged a generation after Ariyoshi and Mukoda, Can Xue also reveals much of herself, but through the veil of surrealistic allegory., As modern Japanese women writers, Ariyoshi Sawako and Mukoda Kuniko reveal at least as much about themselves as they do about society, as Kawabata Yasunari suggested was generally the case with women writers in Japan. Kawabata's view seems valid for writers outside Japan as well. As a postmodern writer in China who emerged a generation after Ariyoshi and Mukoda, Can Xue also reveals much of herself, but through the veil of surrealistic allegory.},
 pages = {19--27},
 title = {Ariyoshi Sawako, Mukoda kuniko and Can Xue : Three Modern Women Writers of Japan and China},
 volume = {8},
 year = {1997}
}