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Common Features in Baroque Music : Early and Late Periods
https://kgwu.repo.nii.ac.jp/records/307
https://kgwu.repo.nii.ac.jp/records/307be03199a-c410-4d0e-96ea-811580a31b24
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-07-12 | |||||
タイトル | ||||||
タイトル | Common Features in Baroque Music : Early and Late Periods | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Common Features in Baroque Music : Early and Late Periods | |||||
言語 | ||||||
言語 | eng | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | prima prattica | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | seconda prattica | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | stile concitato | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | recitative | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | da capo aria | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | prima prattica | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | seconda prattica | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | stile concitato | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | recitative | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | da capo aria | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
デユカウスキー, トム
× デユカウスキー, トム× DUKOWSKI, Tom |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Baroque period of music spanned over 150 years as a style of music. This a comparatively long time, when we consider that the Classical period which followed was only about 75 years. Although there were many developments from early to late Baroque music, many aspects remained the same. This paper shall explore some of the more common aspects of Baroque music in its early and late periods. The focus will be on Monteverdi's contributions to Baroque Opera, a comparison of a Monteverdi and Handelian opera, Bach's keyboard interpretations of Vivaldi concerti, and a comparison of the instrumental styles of Handel and Bach. There will also be short discussion of ornamentation. Through this, we shall be able to identify aspects of music which are uniquely Baroque. | |||||
内容記述 | ||||||
内容記述タイプ | Other | |||||
内容記述 | The Baroque period of music spanned over 150 years as a style of music. This a comparatively long time, when we consider that the Classical period which followed was only about 75 years. Although there were many developments from early to late Baroque music, many aspects remained the same. This paper shall explore some of the more common aspects of Baroque music in its early and late periods. The focus will be on Monteverdi's contributions to Baroque Opera, a comparison of a Monteverdi and Handelian opera, Bach's keyboard interpretations of Vivaldi concerti, and a comparison of the instrumental styles of Handel and Bach. There will also be short discussion of ornamentation. Through this, we shall be able to identify aspects of music which are uniquely Baroque. | |||||
書誌情報 |
川村学園女子大学研究紀要 en : The journal of Kawamura Gakuen Woman's University 巻 15, 号 2, p. 61-76, 発行日 2004-03-15 |
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出版者 | ||||||
出版者 | 川村学園女子大学 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 09186050 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10179111 | |||||
論文ID(NAID) | ||||||
識別子タイプ | NAID | |||||
関連識別子 | 110002963167 |