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  1. 川村学園女子大学研究紀要
  2. 第14巻 第2号

Autonomy,Genius,and the Sublime

https://kgwu.repo.nii.ac.jp/records/325
https://kgwu.repo.nii.ac.jp/records/325
866ca2ec-8d61-4cab-9d8d-15d18577d54a
名前 / ファイル ライセンス アクション
kiyou14-2-5 研究紀要14-2 5 デュカウスキー (1.3 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-07-17
タイトル
タイトル Autonomy,Genius,and the Sublime
タイトル
タイトル Autonomy,Genius,and the Sublime
言語 en
言語
言語 eng
キーワード
主題Scheme Other
主題 autonomy
キーワード
主題Scheme Other
主題 genius
キーワード
主題Scheme Other
主題 the sublime
キーワード
主題Scheme Other
主題 divine artistry
キーワード
言語 en
主題Scheme Other
主題 autonomy
キーワード
言語 en
主題Scheme Other
主題 genius
キーワード
言語 en
主題Scheme Other
主題 the sublime
キーワード
言語 en
主題Scheme Other
主題 divine artistry
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 デュカウスキー, トム

× デュカウスキー, トム

WEKO 717

デュカウスキー, トム

ja-Kana デュカウスキー, トム

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Dukowski, Tom

× Dukowski, Tom

WEKO 718

en Dukowski, Tom

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内容記述タイプ Abstract
内容記述 There has long been a link acknowledged between human autonomy and works of artistic genius, sublime works which are recognised as being somehow divine in nature. It is the purpose of this paper to study this link. In the introduction, I shall discuss what is meant by autonomy, and how it is that we may define a special kind of autonomy as it relates to artistic geniuses and their sublime artistic creations. I shall also define what is meant by the sublime, or divine artistry, in literature using both ancient and modern sources. In part two, I shall examine a renaissance view of the ancient link between autonomy and the divine in The Tempest by Shakespeare; itself a sublime artistic work by an autonomous genius. In part three, I shall investigate a nineteenth century view of the link between autonomy and the divine, as seen m Lord Byron's sublime work Man/red. I shall then adapt the definition of the sublime in literature to apply to music, and show how the composer Robert Schumann managed to express Byron's work in a sublime piece of music. In part four, I shall compare the lives of two autonomous musical geniuses of the classical period of music, Mozart and Beethoven, for the purpose of showing the differing degrees of autonomy between the two composers.
内容記述
内容記述タイプ Other
内容記述 There has long been a link acknowledged between human autonomy and works of artistic genius, sublime works which are recognised as being somehow divine in nature. It is the purpose of this paper to study this link. In the introduction, I shall discuss what is meant by autonomy, and how it is that we may define a special kind of autonomy as it relates to artistic geniuses and their sublime artistic creations. I shall also define what is meant by the sublime, or divine artistry, in literature using both ancient and modern sources. In part two, I shall examine a renaissance view of the ancient link between autonomy and the divine in The Tempest by Shakespeare; itself a sublime artistic work by an autonomous genius. In part three, I shall investigate a nineteenth century view of the link between autonomy and the divine, as seen m Lord Byron's sublime work Man/red. I shall then adapt the definition of the sublime in literature to apply to music, and show how the composer Robert Schumann managed to express Byron's work in a sublime piece of music. In part four, I shall compare the lives of two autonomous musical geniuses of the classical period of music, Mozart and Beethoven, for the purpose of showing the differing degrees of autonomy between the two composers.
書誌情報 川村学園女子大学研究紀要
en : The journal of Kawamura Gakuen Woman's University

巻 14, 号 2, p. 61-77, 発行日 2003-03-15
出版者
出版者 川村学園女子大学
ISSN
収録物識別子タイプ ISSN
収録物識別子 09186050
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10179111
論文ID(NAID)
識別子タイプ NAID
関連識別子 110000473303
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