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  1. 川村学園女子大学研究紀要
  2. 第13巻 第2号

Beethoven : The Arbiter of Classical Style

https://kgwu.repo.nii.ac.jp/records/346
https://kgwu.repo.nii.ac.jp/records/346
99903589-0e57-4e33-a92a-de55e22cc553
名前 / ファイル ライセンス アクション
kiyou13-2-4 研究紀要13-2 4 デュカウスキー (1.4 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-07-21
タイトル
タイトル Beethoven : The Arbiter of Classical Style
タイトル
タイトル Beethoven : The Arbiter of Classical Style
言語 en
言語
言語 eng
キーワード
主題Scheme Other
主題 tonic (I)
キーワード
主題Scheme Other
主題 dominant (V)
キーワード
主題Scheme Other
主題 subdominant (IV)
キーワード
主題Scheme Other
主題 tonality
キーワード
主題Scheme Other
主題 sonata form
キーワード
言語 en
主題Scheme Other
主題 tonic (I)
キーワード
言語 en
主題Scheme Other
主題 dominant (V)
キーワード
言語 en
主題Scheme Other
主題 subdominant (IV)
キーワード
言語 en
主題Scheme Other
主題 tonality
キーワード
言語 en
主題Scheme Other
主題 sonata form
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 デュカウスキー, トム

× デュカウスキー, トム

WEKO 763

デュカウスキー, トム

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Dukowski, Tom

× Dukowski, Tom

WEKO 764

en Dukowski, Tom

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抄録
内容記述タイプ Abstract
内容記述 The Classical style of music met its absolute apex in the music of Ludwig van Beethoven. To illustrate this, I shall divide this paper into four parts. First, I shall explain the underlying structure and tonal qualities of Classical music, making many references to Charles Rosen's book on the subject, which is considered to be the best and most thorough study of classical music to date. In part two, I shall make an in-depth analysis of an early work by Beethoven, String Quartet #6,opus 18 in B-flat major. In part three, I shall examine a very late work, String Quartet #12,opus 127 in E-flat major, applying the same analytical principles as used in part two, and which will show considerable developments as compared to the earlier work. In part four, I shall examine Beethoven's personal development as a man, as seen through J.W.N. Sullivan's book. I should point out that Rosen's view of classical style is a very new book, published in 1997,and focuses on technical and analytical matters. Sullivan's book on the other hand, published in 1927,is not only an old classic, but provides philosophical insights by focusing on Beethoven the man himself.
内容記述
内容記述タイプ Other
内容記述 The Classical style of music met its absolute apex in the music of Ludwig van Beethoven. To illustrate this, I shall divide this paper into four parts. First, I shall explain the underlying structure and tonal qualities of Classical music, making many references to Charles Rosen's book on the subject, which is considered to be the best and most thorough study of classical music to date. In part two, I shall make an in-depth analysis of an early work by Beethoven, String Quartet #6,opus 18 in B-flat major. In part three, I shall examine a very late work, String Quartet #12,opus 127 in E-flat major, applying the same analytical principles as used in part two, and which will show considerable developments as compared to the earlier work. In part four, I shall examine Beethoven's personal development as a man, as seen through J.W.N. Sullivan's book. I should point out that Rosen's view of classical style is a very new book, published in 1997,and focuses on technical and analytical matters. Sullivan's book on the other hand, published in 1927,is not only an old classic, but provides philosophical insights by focusing on Beethoven the man himself.
書誌情報 川村学園女子大学研究紀要
en : The journal of Kawamura Gakuen Woman's University

巻 13, 号 2, p. 35-52, 発行日 2002-03-15
出版者
出版者 川村学園女子大学
ISSN
収録物識別子タイプ ISSN
収録物識別子 09186050
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10179111
論文ID(NAID)
識別子タイプ NAID
関連識別子 110000473179
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