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  1. 川村学園女子大学研究紀要
  2. 第11巻 第1号

Sensibilityの行方 : Sense and SensibilityからPersuasionへ

https://kgwu.repo.nii.ac.jp/records/389
https://kgwu.repo.nii.ac.jp/records/389
74e86dde-1d1d-4d4b-9edd-e54885765af8
名前 / ファイル ライセンス アクション
kiyou11-1 研究紀要11-1 3 田中 (746.8 kB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-08-01
タイトル
タイトル Sensibilityの行方 : Sense and SensibilityからPersuasionへ
タイトル
タイトル The Direction of Sensibility from Sense and Sensibility to Persuasion
言語 en
言語
言語 jpn
キーワード
主題Scheme Other
主題 Jane Austen
キーワード
言語 en
主題Scheme Other
主題 Jane Austen
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 田中, 淑子

× 田中, 淑子

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田中, 淑子

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Tanaka, Yoshiko

× Tanaka, Yoshiko

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en Tanaka, Yoshiko

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内容記述タイプ Abstract
内容記述 It was in the middle of the 18^<th> century that "sentiment" and "sensibility" became the key words of the age. The interest in "feeling" was a powerful reaction against Classicism which dominated the first half of the 18^<th> century with emphasis on "reason." Sentimental novels were in full bloom, involving the female writers and readers and accelerating the popularity with a great help of circular libraries. Yet it is very difficult to define "sensibility" as The Universal Magazine (1778) called it "the enigmatic moral feeling" which was a moral view based on the unreliable feeling. Which should come first, "morality" or "feeling sense" or "sensibility"? This question caused perpetual controversy within the novels in those days. Jane Austen (1775-1817) underwent the flourish of sentimental novels when she was a girl and she began her career as a writer to see clearly the relation between "moral feeling" and society. Jane Austen dealt with "sensibility in 1790s" in her work SS (written from 1796,published 1811) examining it through the failure of Marianne Dashwood's first love with John Willoughby. Austen tried to control Marianne's delightful sensibility by Elinor's prudent persuasion and Brandon's patriarchy. Our expectation that Marianne would grow through the conflict between sense and sensibility fails when we see that she married Colonel Brandon before she loved him. Austen failed to bring her heroine into a higher level of recognition. Here is "something punitive" as Tony Tanner indicates. At the end of the 18^<th> century, the English society dramatically began to guard against "sensibility" which had been a new social bond of the middle classes, because sensibility proved that it could be a radical feeling in the French Revolution. Yet the female writers were cornered because sensibility was considered as the women's own peculiar quality. How to deal with it in their writings? This perplexity couldn't help but suppress Marianne's spontaneous response within herself. Austen was to pay off a great debt on Marianne in P (1818). In P, the first love of the heroine is realized. Condemned sensibility in SS is admitted as a creative one for 27-year-oId Anne Elliot. P is the work to rethink SS. The new age's advent made Austen predict that her novels had to overcome the 18^<th> century proposition, the discord between sense and sensibility. The heroine in P chooses a man without estate, which is quite new in Austen's works. What does it mean to cut her from the social bond with the community? A new proposal of "elasticity of mind" is another way to ride out the storm of life in the 19th century. What could be seen through two works cleverly arranged to reflect Austen's trace of sensibility?
内容記述
内容記述タイプ Other
内容記述 It was in the middle of the 18^<th> century that "sentiment" and "sensibility" became the key words of the age. The interest in "feeling" was a powerful reaction against Classicism which dominated the first half of the 18^<th> century with emphasis on "reason." Sentimental novels were in full bloom, involving the female writers and readers and accelerating the popularity with a great help of circular libraries. Yet it is very difficult to define "sensibility" as The Universal Magazine (1778) called it "the enigmatic moral feeling" which was a moral view based on the unreliable feeling. Which should come first, "morality" or "feeling sense" or "sensibility"? This question caused perpetual controversy within the novels in those days. Jane Austen (1775-1817) underwent the flourish of sentimental novels when she was a girl and she began her career as a writer to see clearly the relation between "moral feeling" and society. Jane Austen dealt with "sensibility in 1790s" in her work SS (written from 1796,published 1811) examining it through the failure of Marianne Dashwood's first love with John Willoughby. Austen tried to control Marianne's delightful sensibility by Elinor's prudent persuasion and Brandon's patriarchy. Our expectation that Marianne would grow through the conflict between sense and sensibility fails when we see that she married Colonel Brandon before she loved him. Austen failed to bring her heroine into a higher level of recognition. Here is "something punitive" as Tony Tanner indicates. At the end of the 18^<th> century, the English society dramatically began to guard against "sensibility" which had been a new social bond of the middle classes, because sensibility proved that it could be a radical feeling in the French Revolution. Yet the female writers were cornered because sensibility was considered as the women's own peculiar quality. How to deal with it in their writings? This perplexity couldn't help but suppress Marianne's spontaneous response within herself. Austen was to pay off a great debt on Marianne in P (1818). In P, the first love of the heroine is realized. Condemned sensibility in SS is admitted as a creative one for 27-year-oId Anne Elliot. P is the work to rethink SS. The new age's advent made Austen predict that her novels had to overcome the 18^<th> century proposition, the discord between sense and sensibility. The heroine in P chooses a man without estate, which is quite new in Austen's works. What does it mean to cut her from the social bond with the community? A new proposal of "elasticity of mind" is another way to ride out the storm of life in the 19th century. What could be seen through two works cleverly arranged to reflect Austen's trace of sensibility?
書誌情報 川村学園女子大学研究紀要
en : The journal of Kawamura Gakuen Woman's University

巻 11, 号 1, p. 27-40, 発行日 2000
出版者
出版者 川村学園女子大学
ISSN
収録物識別子タイプ ISSN
収録物識別子 09186050
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10179111
論文ID(NAID)
識別子タイプ NAID
関連識別子 110000473135
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